Peter A. Thompson, Victoria University of
Wellington
One might
be forgiven for assuming that public service broadcasting is an anachronism
when a Google search places a Wikipedia
entry for an eponymous band specialising in retro-themed audio-visual
performances1 at the top of 31 million other links. The decreasing
salience of public service media (PSM) provisions in a digitally converged
market has been repeatedly narrated through neoliberal policy discourses, often
with eager support from vested interests in the commercial media sector. Debate
over the desirability and sustainability of PSM has nevertheless lost little of
its perennial academic appeal (e.g., see Garnham, 2003; Hanretty, 2012; Jacka,
2003; Jakubowicz, 2007; Thompson, 2011a; Tracey, 1998). As Michael Tracey wryly
commented at the 2012 Réseaux IP Européens conference, “whatever the
contemporary tempest within which PSB finds itself, its demise – long predicted
– has become a death so lingering as to have come to constitute a new form of
life” (2012, p. 2).
Exactly what
forms PSM might take in the future is the central theme of the European
Broadcasting Union’s recent “Vision 2020” report (European Broadcasting Union
[EBU], 20142). Subtitled “Connecting to a Networked Society”, this 100-page
document outlines a range of political, economic, social and technological
challenges facing public service operators, and makes a series of strategic
recommendations for public service media in response to the changing political,
economic and technological environments. This short commentary will outline
some of the key points raised in the report, and discuss some of the issues
raised by its recommendations both for public service media in other regions
and also for political economy scholars.
The overarching
concern of the report is the strategic repositioning of PSM and the
redefinition of their scope and function in response to the “networked
society”. This is understood in terms of two key trends—fragmentation and
digitization (EBU, 2014, p. 10). Fragmentation is explained as a combination of
individualization and the erosion of traditional social identities and bonds,
resulting in more fluid and plural taste communities. Although the EBU regards
new media as potentially empowering for citizens, fragmentation and
digitalization are regarded as forces disrupting the social bonds between PSM and
their traditional audiences, and potentially, the position of PSM in the media
ecology.
The challenge
the EBU envisions is not only to engage a more elusive and transient audience. It is also important to counter the erosion of
institutional trust in public service arrangements, and the increasing
political and social expectations on PSM to deliver value for money on
increasingly tight budgets. The Vision 2020 report emphasises the need for PSM
to demonstrate a “Return on Society” (the term “public value” is avoided,
presumably to avoid confusion with specific metrics
The pressures
on PSM identified by the EBU are by no means unique to the European context,
and the rationales underpinning the report are neither unfamiliar nor
surprising. The commitment of a pan-European PSM body to collective strategies
for some of the common challenges is a significant development. However, this
also entails a number of potential limitations which need to be taken into
consideration when analysing the recommendations. The Vision 2020 report
stemmed from the work of three expert working parties, and had input from over
150 EBU members. Given the imperative to identify common ground, it was
inevitable that the report could not focus on the specific institutional
arrangements in each national context (a point the report acknowledges). A
certain degree of generalisation is therefore understandable, although critical
political economists might challenge some of the more generalised sociological
assumptions. The extent to which digital media have dissolved traditional
social bonds and identities into a postmodern fluidity is a particular point of
contention (on this point, it is instructive to see the exchange between
Garnham, 2003 and Jacka, 2003).
In this regard,
there is perhaps a tendency to overstate the extent to which digital media have
transformed audience behaviour, and fatally undermined linear free-to-air
broadcasting models. New digital media are indeed redefining value chains in
important ways, but traditional public service broadcasting services continue
to occupy a key position in the media ecology. For example, Chris Hanretty’s
recent (2012) report for the British Academy provides some countervailing
evidence supporting the view that public broadcasters, by and large, remain in
“rude health” and are still fulfilling core functions3 (especially
in comparison with some commercial sector operators).
That does not
obviate the EBU’s point that in some countries, PSM are in genuine crisis
(notably Greece) while many others have suffered significant cuts to funding
(including Portugal, Spain, the Netherlands, Iceland, Romania, Ireland and
Belgium). However, in such cases, macroeconomic conditions and government
policy settings have had more immediate impact on the viability of PSM than
have digitalization and fragmentation. Indeed the former directly shape the
extent to which the latter pressures are likely to influence PSM provisions.
Although the broader political and economic context is recognised, the EBU
focus is more on the potential response of PSM themselves than on the need for
any wider reform of market or political arrangements, as the recommendations,
summarised below, suggest:
1) Better
understand your audience. This calls for the creation of a “mutual
relationship with audiences” and notes that “developing a more personalised
media offer requires a much deeper knowledge of audiences”. To this end, the
Vision 2020 report proposes increasing audience research including user data
(for non-commercial purposes).
2) Increase
engagement and diversity. Following on from understanding the audience,
this proposes a strategy to ensure socio-demographic diversity of content
emphasising “innoversity” (innovation + diversity) in format design and
delivery across a range of platforms.
3) Set
priorities in your portfolio. This entails continuous improvement in
quality, diversity, interaction, personalization and context (while taking
account of budget pressures). More specifically, this proposes applying a
“Fewer, Bigger, Better” principle to programming and services. The need for
audience share and reach is balanced against universality, inclusivity and
relevance. This also includes a call for “courageous” programmes dealing with
major social issues, a revitalization of “high” cultural forms, and a proposal
to explore co-productions with other PSMs as well as engaging audiences in the
creative process.
4) Be the
most relevant and trusted source of information. This emphasises
“agenda-setting journalism” and prioritises high quality news, current affairs,
documentaries and consumer information. It also calls for an “internet first”
strategy, with a focus on continuous updates, but recognises that the aim for
immediacy should not compromise accuracy and reliability. The need to counter
superficial commercial journalism with context and greater investigative depth
to ensure that PSM retain audience trust is also noted. To this end, there is
also a call for greater journalistic education and training and also for
collaboration among PSM media (particularly in respect to providing local
perspectives on global stories).
5) Be more relevant
to younger audiences. This recognises that young people need a distinctive
strategic focus, partly because of their greater usage of new media (which
requires PSM to increase their presence on the new networked platforms). It is
suggested that PSMs deliver targeted content on the platforms young people use,
and that they tailor content formats accordingly (including features amenable
to immediacy, interactivity, feedback, sharing, etc.)
6) Empower,
curate and share. This covers what the document calls, “Return on Society”
and a refocusing of what public service entails, notably in regard to curating
and sharing content, digitizing archives and cooperating with other media (e.g.
offering platforms to newspapers or allowing local producers access to
studios). The role of PSM in helping bridge the digital divide, and developing
the “digital commons” through collaboration with universities, cultural
organisations and consumer groups is also highlighted, as is providing support
to communities coping with social problems or disasters.
7) Accelerate
innovation and development. This emphasises the need to adapt
infrastructure to the new media environment and the need for PSMs to become
“pathfinders in value-based innovation”. The aim here is focus on investing in
the development of new platforms and technical standards in conjunction with
other PSMs. In turn, this will help reduce the costs of competing/duplicating
platforms and help focus competition on content quality.
8) Ensure prominence.
This recognises the continuing importance of universal availability, free at
the point of reception, regardless of platform. This not only includes
migration to digital signal transmission and ensuring access to the commensurate
spectrum, but the development of multi-platform distribution strategies in ways
that ensure PSM content can be easily located/navigated. One suggestion here is
to seek a collaborative over-the-top service for PSM services. The importance
of regulatory safeguards such as net neutrality provisions is also highlighted.
9) Transform
organisational culture and leadership style. This posits a need to
transform PSM organisational structures and cultures. Among the suggestions
here are “changing mind-sets and training your employees to become more
flexible, agile, communicative and service-oriented”, “adopt the highest
possible standards of governance”, and “replace fear with curiosity and a
spirit of trial and error”. Other suggestions include “raise trustworthiness at
every level of your activities”, “unsilo your staff and programme departments”,
and “shift the focus of leadership from control to inspiration [and] “walk the
talk” as an organisation”.
10) Make the
case for PSM. This recognises that the continued legitimacy of PSM depends
on the balance of relations between governments, markets and society and the
need for PSM to adapt to the new environment. The main emphasis here is on
‘soft advocacy’ and the promotion of PSM’s capacity to provide a “Return on
Society” through the development of new measures and the promotion of quality
content. The need to support claims for adequate financing is also emphasised.
It is not the
aim of this commentary to question the collective wisdom of the EBU expert
working parties which formulated the recommendations—they are eminently
sensible from the perspective of European public service media providers.
However, their scope and focus raises a number of issues which deserve further
scrutiny. First, the emphasis throughout is primarily on the PSM themselves as
the agents charged with responding to the various challenges. Although this
appropriately reflects the authorship and purpose of the report, it
inadvertently serves to bracket out questions involving the broader political
economy, such as the macroeconomic policy settings underpinning government cuts
in public services generally.
The report
rightly notes the need to take account of country-specific contextual factors,
and perhaps the need for broad agreement on a generic set of strategies would
become unduly complicated were specific political and economic issues to be
critiqued. Nevertheless, with the exception of recommendation 10 (making the
case for PSM through ‘soft advocacy’), there is much left unsaid about the
structural conditions which underpin the problems facing PSM. In that respect,
the Vision 2020 report is under-politicised and implicitly assumes that these
conditions need to be accommodated rather than directly critiqued.
Secondly,
perhaps with the exception of recommendations 4 (be the most relevant and
trusted source of information), 6 (empower curate and share) and 10, the report
would not seem completely out of place in the boardrooms of commercial
broadcasters. Recommendations 7 (accelerate innovation and development) and 9
(transform organisational culture and leadership style) would certainly sound
familiar to many large organisations. Although public service and commercial
media may seek audience ratings and reach for different reasons, as
broadcasters, they share some common priorities. They both seek to stabilise
their position in the media ecology, by copying shifting value chains amidst increasingly
elusive audience demographics and the increasing uncertainty of traditional
revenue streams. In other contexts, the drive by PSM to extend their presence
across digital platforms may risk conflating technical and public service
imperatives (see Thompson, 2011a, 20124). There is therefore a need
to differentiate between strategies specific to PSM and those generic to the
free-to-air broadcasting sector.
Thirdly, it is
apparent that a number of the recommendations are framed as desirable outcomes
rather than as specific processes/actions, and that putting them into practice
may entail contradictory tensions. For example, the imperative to ensure
diversity of appeal across demographic groups and develop more presence on new
platforms (recommendation 2) may not align neatly with the “fewer, bigger,
better” proposal (recommendation 3). To pursue all the proposals would
doubtless require significant additional funding at a time when PSM funding has
been subject to increasing scrutiny and cuts. In fairness, the Vision 2020
report does acknowledge strategic dilemmas throughout the report, but these are
not all unique to PSM, and although the report offers diagnostic insight, the
recommendations are by no means straight-forward solutions.
The Vision 2020
report goes on to explore a number of themes in more detail. Space precludes a
full discussion of these, but two in particular raise specific questions
relevant to political economists of PSM. The first appears in section 3.6
“Prominence & Findability – Major Bottlenecks” which usefully discusses
changes to the broadcasting value chain. One important concern here is the
potential for market failures and a shift in media power-relations if the
vertical integration of traditional broadcasters is compromised by proprietary
technologies (including EPGs and bundled or “walled garden” models encompassing
content, network and hardware) and by new aggregator-distributor models
(involving mergers between network providers and content producers which could
potentially threaten net neutrality5). Section 3.6 also identifies
an important policy question about re-transmission/licensing fees and the
relation between PSM and cable/subscription operators which often carry
free-to-air channels as part of their basic packages. The emergence of new
bottlenecks and gatekeepers outside the control of PSM are duly noted, but
these are issues which need to be addressed on a political level. They entail
state interventions in media markets which directly challenge corporate media
interests.
These
considerations offer an important corrective to the assumption, popular among
proponents of free market policies, that the proliferation of new digital
platforms will ensure a diversity of content and thereby obviate much of the
need for continued PSM subsidies. This has been particularly evident in New
Zealand, where the government removed the public service Charter from
Television New Zealand (TVNZ) and discontinued the funding for the
commercial-free channels TVNZ 6 and 7 in 2011 and 2012 respectively. The
government’s justification was that in the digital context, funding public
broadcasting institutions was inefficient and that contestable public
subsidies for local content (administered by NZ On Air) could better
advance public service functions (Thompson, 2011a, 2011b, 2012). The government
has also refused to contemplate re-regulating the retransmission licensing
agreements between the near-monopoly pay-TV provider, Sky and the free-to-air
operators. Sky pays nothing to the FTA operators despite these channels
representing over half the audience viewing on its DTS platform (although Sky
does pay to carry TVNZ archive channel, Heartland, and the former TVNZ 6
ad-free children’s component, Kidzone, these are now behind a paywall). Indeed,
the pervasive assumption that the switchover from analogue to digital
transmission will remove spectrum scarcity (and ostensibly remove a cornerstone
premise for PSM) is far from self-evident. The independent non-profit PSM
operator Stratos was forced to close down in 2011 because it was unable
to afford access to digital spectrum rights and transmission services from Kordia
(the government agency responsible for auctioning digital frequencies). Stratos
was eventually reincarnated as Face TV, but this is carried exclusively
on Sky’s DTS platform. Affordable spectrum access is therefore not a given and
depending on policy arrangements this may still act as a bottleneck for some
kinds of PSM.
The other
important theme in the Vision 2020 report is section 3.8 “Governance, Role
& Remit and Funding Trends”, and the Appendix from Experts Group III on the
same issues. These sections are the most political part of the EBU report, and
identify a series of risks to PSM, most prominently the need to sustain the
political legitimacy of PSM and its public funding in the face of changes in
technology and audience expectations. Of particular importance is the
recognition that changes in the value chain stemming from digital convergence
have intensified competition for revenue and market share from commercial
interests in other media sectors. This includes contestation of PSM’s position in
the digital media ecology from hard copy and online newspapers as well as from
commercial rivals in the broadcasting sector.
Indeed, in the
European context, commercial media interests have lobbied for tighter
restrictions on the scope of publicly-funded PSM operations on the pretext that
these distort the market and preclude the growth of commercial businesses. On
that point, it is important to note that, although the European Commission
Audiovisual Media Services Directive explicitly supports the right of states to
support public service media, it also serves to quarantine the scope and scale
of that intervention. As the report rightly notes, “PSM now need to prove that
their new services provide public value and do not unduly hamper the
possibilities of other market players” (EBU, 2014, p. 70). It is also noted
that, between 2007 and 2012, the value of PSM funding in the EBU region
(adjusted for inflation) decreased by 9.8% in real terms. In turn, this not
only makes it more difficult for PSMs to sustain core services while trying to
develop a presence on new platforms, it also places them in a more dependent
position on government for any increase in revenue.
As Experts
Group III pointedly observe, “Funding models are at
best vulnerable to market and political pressure; at worst they may be linked
to particular transmission technologies which could leave them stranded yet
facing the prospect of a vigorous public debate about the extent to which they
should retain all the funding in the future especially if it is refocused on a
broader range of media” (EBU, 2014, p. 99).
The report goes on to note that
there is a need to (re)gain the external support of policy makers as well as
engender commitment to the public service mission among PSM managers
themselves. As section 3.29 argues, at the same time as PSMs need to create a
virtuous circle where they provide quality services and increase public trust
in order to legitimate their public subsidy, there is a risk of “downward
spiral” whereby a lack of stable funding leads to cuts in services, reductions in
public support and threats to the legitimacy of continued subsidies.
The report
notes that in the Netherlands, Germany, and Finland, public licence fees have
been replaced with various forms of taxation. In the UK, the BBC’s licence fee
funding has been maintained but subject to renegotiation in an increasingly
hostile political environment (see Thompson, 2011a). The latest funding round
in 2010 saw the BBC take on funding responsibilities for the World Service and
Welsh channel, despite a budget freeze for 6 years. One recent consequence of
this has been the closure of BBC Three (BBC News, 2014).
Similar tends
are evident elsewhere. In New Zealand, in addition to the removal of funding
for TVNZ 6 and 7, Radio New Zealand has had a funding freeze for over six years
despite expectations that it will expand its online services. In the US, the
Corporation for Public Broadcasting has come under sustained pressure from the
political right and in 2013, budget cuts saw its workforce reduced by 11%
(Sefton, 2013). In Australia, meanwhile, the ABC was recently challenged by
Prime Minister, Tony Abbott, for not being more supportive of Australian
foreign policy interests (ABC News 2014a). Shortly afterwards, despite previous
government undertakings to the contrary, the ABC and SBS received 1 percent
budget cuts and ABC’s recent $220 million, 10-year contract with the Department
of Foreign Affairs and Trade operate Australia Network (the Asia Pacific
television service), was summarily cancelled (ABC National Radio, 2014; ABC News
2014b).
These
developments are indicative that the kind of threats to PSM identified by the
EBU are by no means confined to Europe (and indeed, are arguably worse
elsewhere). However, even if the challenges appear to be generic, their
articulation depends on specific institutional settings, including the position
of the PSM in their respective national media ecologies and the disposition of
relevant government ministries (Thompson, 2011b). The 2020 Vision report
certainly provides a very useful diagnostic, and its call for a collaborative
approach among PSMs in seeking strategies to sustain the legitimacy of public
service provisions is laudable. However, the academic community (particularly
political economists) can play a role here by expanding the political discourse
and engaging with media and policy makers and other civic stakeholders. It is important for academics to provide empirical
research that debunks flawed mythologies about the digital media environment and
critiques default pro-market policy settings which may obstruct the wider effort to realign government policy and
broadcaster priorities with public service principles. PSMs obviously
have to adapt to the new environment, but there is no need to apologise for or
dismiss public service principles as a “pointless juju stick…a term now drained
of all meaning and purpose”, as former UK Channel 4 boss, Michael Jackson put it
(quoted in Broadcast Now, 2002; see also Jackson, 2003). On the contrary,
public service media need to be made meaningful, but in the context of a wider
movement to reclaim the digital commons.
[1] http://en.wikipedia.org/wiki/Public_Service_Broadcasting_(band)
[2] The EBU is the advocacy group for public service media representing industry members across 56 countries.
[3] Hanretty notes that although PSMs have, overall, lost some audience share, in countries with multiple PSM providers, audience share has been stabilised or even increased. He also notes highly varied outcomes of PSM online ventures with both successes and failures. His report also finds evidence to support the claim that PSM play a significant role in supporting an informed citizenry (a point also noted in the Vision 2020 report), particularly for those who are less politically engaged. However, there was insufficient evidence to support the notion that PSM should support national cultural identity.
[4] For example, in New Zealand, TVNZ’s “inspiring on every screen” strategy paved the way for a shift in institutional focus from universal service/inclusivity principles (engaging a wider proportion of the population) toward the development of new digital platform developments and the more commercial priority of reaching target demographics and maintaining revenue.
[5] At time of writing, there are proposals from AT&T to acquire DirectTV, while Comcast has proposed a takeover of Time Warner.
Peter Thompson is a senior
lecturer in the media studies programme at Victoria University of Wellington.
He has published extensively on the evolution of media policy in New Zealand,
especially in respect to the public service broadcasting reforms between
1999–2008. He has conducted research on behalf of the Ministry for Culture and
Heritage and the NZ Broadcasting Commission. He was appointed chair of the
working party which reviewed public submissions of the (now repealed) TVNZ
Charter. His other major research interest, stemming from his doctoral work,
concerns the role of communication systems in financial markets and the
significance of reflexive feedback loops for financial reporting and the generation
of bubbles and crashes.
ABC News (2014a) Prime Minister Tony Abbott says ABC not
on Australia’s side in interview with 2GB. 4 February. Available at: http://www.abc.net.au/news/2014-01-29/tony-abbott-steps-up-criticism-of-abc/5224676(accessed 22
March 2014)
ABC News (2014b) Budget 2014:
ABC, SBS funding cut, Australia Network contract cancelled. Available at: http://www.abc.net.au/news/2014-05-13/budget-2014-abc-sbs-funding-cut-ausnet-contract-cancelled/5450932 (accessed 2 June 2014)
ABC Radio National (2014) ABC managing director Mark Scott
responds to Budget cuts. Available at: http://www.abc.net.au/radionational/programs/breakfast/mark-scott/5451576 (accessed 2 June
2014)
BBC News (2014) BBC three to be axed as an on-air channel.
5 March. Available at: http://www.bbc.com/news/entertainment-arts-26447089 (accessed 7 March 2014)
Broadcast Now (2002) Public Service broadcasting – Still
providing a service? Available at: http://www.broadcastnow.co.uk/public-service-broadcasting-still-providing-a-service/1135687.article (accessed May 22
2014)
European Broadcasting Union (2014) Vision2020: Connecting to a networked society. Full
report. Available at: http://www.eurovision.com/files/live/sites/ebu/files/Knowledge/Publication%20Library/EBU-Vision2020-Full_report_EN.pdf (accessed 16 June 2014).
Garnham N (2003) A response to Elizabeth Jacka’s “Democracy as
Defeat”. Television & New Media 4(2): 193–200.
Hanretty C (2012) Public broadcasting’s continued rude health.
London: British Academy Policy Centre.
Jacka E (2003) “Democracy as defeat”. The impotence of arguments
for public service broadcasting. Television & New Media 4(2): 177–191.
Jackson M (2003) Comments from “Ian Fraser Interviews Michael
Jackson”. A New Future for Public Broadcasting Conference. 20–21
November, Wellington.
Jakubowicz K (2007) Public service broadcasting – A new
beginning or the beginning of the end? Council of Europe. Available at: http://www.coe.int/t/dghl/standardsetting/media/doc/PSB_Anewbeginning_KJ_en.pdf (accessed
24 May 2014)
Sefton D (2013) Appropriation cuts lead to layoffs and
furloughs throughout CPB. 3 May. Available at: http://www.current.org/2013/05/appropriation-cuts-lead-to-layoffs-and-furloughs-throughout-cpb/ (accessed 20
June 2014).
Thompson PA (2011a) Running on empty? The uncertain financial
futures of public service media in the contemporary media policy environment.
In: Winseck W and Jin D-Y (Eds) The political economies of media.
London: Bloomsbury Academic, pp. 223–240.
Thompson PA (2011b) Neoliberalism and the political economies
of public television policy in New Zealand. Australian Journal of
Communication 38(3):1–16.
Thompson PA (2012) Last chance to see? In: Hirst M, Phelan S and
Rupar V (Eds) Scooped: The
politics and power of journalism in Aotearoa New Zealand. Auckland: AUT
Media/JMAD, pp. 96–113.
Tracey M (1998) The decline and fall of public broadcasting.
Oxford: Oxford University Press.
Tracey M (2012) “this strange disease of modern life…”: The
concept of public value and the triumph of materialist modernity. Paper
presented at the RIPE 2012 conference, Value for Public Money – Money for Public
Value. 5–7 September. Sydney. Available at: http://ripeat.org/wp-content/uploads/tdomf/3246/Tracey2012.pdf (accessed 20 March 2014)